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Titles and names in bold print contain more complete information
Sergey LOZNITSA
Сергей ЛОЗНИЦА
Sergueï LOZNITSA
 
Netherlands, 2018, 125 mn 
documentary

The Trial

▪ ▪ ▪ ▪ ▪ ▪ ▪

Процесс

 

 Le Procès

 Protses


 
Directed by : Sergey LOZNITSA (Сергей ЛОЗНИЦА)
Sound : Vladimir GOLOVNITSKY (Владимир ГОЛОВНИЦКИЙ)
Editing : Sergey LOZNITSA (Сергей ЛОЗНИЦА)
Production : Atoms & Void (Sergei Loznitsa, Maria Choustova), Wild at Art
 

DVD with subtitles
Editeur : Arrow Video. 2020. Titre : Why Don't You Just Die ?

Plot synopsis
Moscow, USSR. 1930. The Pillar Hall of the State House of the Unions. A group of top rank economists and engineers is put on trial accused of plotting a coup d’état against the Soviet government. It’s alleged that they made a secret pact with the French Prime Minister, Raymond Poincaré, aiming to destroy the Soviet power and restore capitalism. All charges are fabricated and the accused are forced to confess to the crimes they never committed. The court delivers death verdicts. Unique archive footage reconstructs one of the first show trials, masterminded by Stalin. The drama is real, but the story is fake. The film gives an unprecedented insight into the origins of a deadly regime, which made the slogan “Lie is Truth” its everyday reality.
http://www.labiennale.org/it/cinema/2018
 

Commentaries and bibliography
Le Procès, un film de Sergueï Loznitsa, Review, film-documentaire.fr, 2019
Director Sergei Loznitsa on digging through Soviet archives and the challenge of dissecting the past, Andrew Northrop, Interview, The Calvert Journal, 2019
Sergei Loznitsa: The Trial (Protsess, 2018), Oksana SARKISOVA, Review, Kinokultura, 2019
«Мыслящий зритель или был расстрелян, или находился на пути к расстрелу» Режиссер Сергей Лозница — о фильме «Процесс», документальной хронике суда над «вредителями» в 1930 году, Антон ДОЛИН, Interview, meduza.io, 2018
 
I started working on a film about Stalin’s show trials, which were held in the USSR in 1930s, a couple of years ago. My initial idea was to edit the footage from different trials in order to show how the machine of Soviet terror was established, and how the system gradually took over the minds of innocent citizens. However, soon after I began studying archive materials, I discovered the footage, which I found to be absolutely unique. I decided to make the film in such a way, as to give the spectators a chance to spend two hours in the USSR in 1930: to see and to experience the moment, when the machine of state terror, created by Stalin, was launched into action. My intention was to reconstruct the trial stage by stage. We restored and kept all the sound that was recorded in 1930. The only commentary I allowed myself to make in the entire film is right at the very end. I need this commentary in order to tell the truth, since it is impossible to learn the truth from any other episode of this documentary film. In fact, Process is a unique example of a documentary, in which one sees “24 frames of lies” per second.
http://www.labiennale.org/it/cinema/2018

Selected in the following festivals :
- Intégrale Sergueï Loznitsa au Centre Pompidou et carte blanche au réalisateur, Paris (France), 2020
- Odessa International Film Festival, Odessa (Ukraine), 2019
- International Leipzig Festival for documentary and animated film, Leipzig (Germany), 2018
- Venice International Film Festival, Venice (Italy), 2018


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