Awards : Deuxième prix au Festival-séminaire des ciné-clubs de Moscou, 1991
Cinematic treatise about the incompleteness and insufficiency
of simple feelings – tactile, visual, aural. In movies
this approach symbolizes the collision between the real
and the illusory. The real and imaginary aspects are presented
as images of feelings. «I like to forget about the
time with you», the heroine tells her blind lover, adding:
«Of all the sighted you see best of all».